Posts tagged ‘death’

April 20, 2010

All Hail Vagina Christ

 

Vagina Christ

Vagina Christ

Initially inspired by a fellow artist’s painting done in primary colors with an acrylic “dab” technique, the painting was done slowly over a four year period (2006-2010). Though it is quite small (16″x20″), it was meant to resemble religious iconography with a post-impressionist feel. The medium and approach were a little different for me, I used just acrylic paint and pigment pens.

The vaginafied deity takes cues from Judeo-Christian biblical intimations that Jesus Christ was essentially a Eunuch in practice; he seems to have desired neither male or females. He was neither masculine nor feminine and was by all records asexual. The organic (or biomorphic) shapes that field the background in the composition are taken from flowers and other plants that have no gender. It is not uncommon in nature for a non-gendered species to thrive where their engendered counterparts will die off.
Vagina Christ Detail

Vagina Christ Detail

Not visible in these images are the gold paint dabs that have been applied in thick hemispherical shapes throughout the painting. They glisten at different angles as light hits the high points. Gold was (is) often used in religious iconography such as the ones created by the Byzantines to give permenance and the splendor of divinity by the effect of light shimmering onto its surfaces. And this is no less of what this painting represents, an object to be worshipped and revered.
Click on these thumbnails for larger versions or go to the Gallery tab above and view it there.
April 8, 2010

Unloved Series; The forgotten elderly corpses

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 Unloved are (essentially) a never-ending series of small portraits of the forgotten and neglected senior citizen corpses that I imagine strewn throughout our cultures in homes, hospitals, retirement homes or wherever a feeble person can be hidden away.  In Japan they have a term for this occurence, they call it  kodokushi. The 20 year-long continuing recession in Japan left many of the elderly without employment and without a family willing to open their doors to them.

This tragedy is a modern occurence that cuts across nearly all modern civilized cultures. People are living longer than in any time in history, it is a modern medical dilemma. These people are our fathers and mothers, the ones who gave us life and cared for us when we were helpless, now as a matter of convenience, we tuck them away in a sense; out of sight and out of mind. I am not practicing good morality by creating these portraits nor am I stating whether this is actually acceptable to leave aged people to die alone.

As cultures change and the generations that grew up with the “selfish” mindset assume the mantle of care-givers, some individuals decide that the burden interferes with their lifestyle. It is more acceptable than ever to simply walk away and let them die alone.

Larger versions of the artworks can be viewed by clicking on the Unloved tab at the top of the page.

March 7, 2010

Anna Nicole Smith In Early-Stage Decomposition

Anna Nicole Smith Early Decomposition (Imagined)

This artwork that began as a pencil and watercolor sketch is fairly typical of my technical process. Refined through pens, spray paint, charcoal and then digitally assembled.

 I do not admire or even follow celebrities, however, Anna Nicole Smith is a pessimist’s Cinderella story manifested.  I always saw her as part of the now poorer “suffering” class, the majority of Americans that used to be known as “middle class” before the Reagan revolution of the 1980′s and beyond.  The background field of the artwork is a barcode, as she was a product for mass consumerism to be used and then discard….the mindset of American culture.

She realized (as I)  that hard work and perseverance will get you nowhere in America anymore. There is no point in playing along with a deck stacked against you from birth, so she chose to be exploited with the intention of pouncing on an opportunity when it presented itself; and she did. Marrying a billionaire for his money and standing-fast to her proclamation that it was not for the money but love….who can prove otherwise? It is a classic tale taken from the earliest literary examinations of the human character.

Tragedy of course followed her life around like a necessary albatross of her own creation, constantly surrounded by money-hungry vampires to ensure her fate. Is this artwork a mockery of her? Yes, but only in the sense to say: …here is  your real-life Cinderella presented in the condition of the American dream….

Prints available here

February 11, 2010

Postmortem Self Portrait

postmortem self portrait

postmortem self portrait

This artwork began as a marker sketch while I was a design student back in 1992.  The initial drawing had my putrefying corpse bent midway in an “L-shaped”  position, which would have required a very custom canvas. My knowledge of art at that time was very limited, and the concept was completely from within my mind, there was no real inspiration for it. Perhaps the idea was born out of the classroom lectures given to me by special effects makeup artist <a href=”http://www.savini.com”>Tom Savini </a>(Night of The Living Dead , Creep Show, etc.) on how he got his research for the living dead from morgue photos and holocaust imagery. 

I believe, however, that I was more interested in creating an artwork that would speak to the utter garish and ridiculous colors and changes that the body undergoes as it putrifies. Hollywood corpses are pristine compared to the real things, just do a Google search on the stages of human decay (putrefication being the worst). The food additive chemicals are something that has always bothered me both physically and mentally.

I’ve always thought to myself  ”the chemicals are to preserve organic proteins…wait….I am made of proteins….what are they doing to my  body?”. Subsequent warnings of these hidden poisons have been posted year after year ever since the “enlightenment” of food safety science began in the 1970′s. I started to write down some of the most nefarious sounding food chemicals every time I cam across them over the years, though I was never quite sure how to incorporate them into my post-mortem artwork. Whether they are toxic or just simply minerals with imposing names, I decided to just simply write them around my corpse; this is my body AND my composition. 
 
My first attempt at it was going to be a flattened sculpture on canvas (see images). I decided to present myself at half scale (50%) on a 24″ x 48″ canvas (which is what the ratio the final used as well).  The piece was essentially complete, but I was never really content with it. That particular version just didn’t capture my vision from all those years ago.  Hence, I tore it apart and bought a new canvas and decided to approach it differently. The sculptured parts actually worked very well as models to sketch and then paint from. The first go-around of the concept had me clothed and comparatively based on the frozen corpse of John Torrington (the famous 19th Franklin Expedition mummy). I was not born clothed, so it made sense to present myself in pure form. I also dated myself since clothing comes in and out of fashion and this is to be within my time but timeless.Post-mortem face sculpture finished
 
Imagining oneself dead or as a corpse has historically been caricatured through the arts, one of the best being from the great artist/painter James Ensor’s Self Portrait in 1960 (this was of course created in 1888) . It is true that my postmortem displays me deceased in the year 2010 at the age of 38….but how long will I actually live anyway?
A larger version of this image can be found on my gallery page.
January 27, 2010

Ideation Sketching From Childrens Story

 

Old Woman Consuming Boiled Human Fetus

Old Woman Consuming Boiled Human Fetus

Medium: Pencils & conte on paper

A drawing inspired by the Scholastic Childrens story ‘Teeny Tiny And the Witch Woman’; from an old Turkish tale. When  a graphic example of some of the classic stories are generated, one must realize just what it means to “cook and eat small children”. I did not make this up, but merely visualized the premise to the folklore.

This story is fantastic and is frightening. It has endured many centuries right through today. The lore makes a point for children to be distrustful of strangers, something that was lost up until recent years when it was finally “re-realized” that people are inherently bad and are prone to victimizing children.  The Scholastic videos are all still available online.

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